Sometime back in august, Liz and I went on a canoe trip. One day, we stopped at a cliff to have breakfast (yes, we really were that hard core, getting in some paddling time before breaky). It was an amazing breakfast of oatmeal and anti-pasta. We stood upon our cliff surveying the spectacularity that is Algonquin (pls note, that 'spectacularity' is not being underlined as a spelling mistake). We jumped into the water and swam around the twin islands that we had moored up along. Realizing the time (ish, judging by the sun), we decided to pack up and proceed into the heart of darkness (aka an overgrown river that we were eventually unable/unwilling to navigate, resulting in us having to u-turn back, and arrive at the same lake just as the sun was setting). After packing my own bag, I started on the communal dry bag, filling it with maps, snacks, a few pieces of clothing, and my camera, a circa 1975 Minolta XE7 (almost identical to the Leica R3), with steel encased glass lenses, a beautiful camera from the golden age of film-cameras (and thus arguably cameras, period). I rolled down the top of the dry bag, leaving a large amount of air inside to provide a cushion. I placed the bag at the edge of the cliff, so that I could reach it when i went down to the canoe, and went back to packing other things. Soon enough, a gust of wind came along, and blew the bag down. All I could do was stand at the edge of the cliff with outstretched arms, gasping for air, and looking on in absolute horror. I jumped off the cliff, and held the bag in my hands. I slowly opened the bag, and held my bundled up camera in my hands, eventually finding the nerve to unwrap it. It had fallen lens down, but the lens was intact. I was unable to check if the lens was scratched, I new that I would start crying if I took a closer look. The film wound, the shutter was working, I could adjust the aperture, but the focus was not turning. I taped the lens cap on (the lens body had bent, so the cap wouldn't fit on), and we silently got in the canoe and started paddling. I'm pretty sure that I was silent for at least an hour. Liz was very patient, waiting for me to stop pouting.
When I got home, I put the camera away, and was unable to look at it for four months. Finally, during a fit of productivity, I came across it again, and managed to suck it up, and peel off the lens cap. Looking at the lens under a bright light, I found that the lens itself had not been damaged, which meant that there was only structural damage to the casing. I took it down to Vistek to see what they could do about it. The guy at the repair booth was slightly at a loss, not having seen such a relic in a very long time. Apparently they only deal with electronic and data problems in house, and they would have to subcontract my lens out, and would call me at a later date. I asked if they sold such lenses there, just in case it was irreparable. He laughed at me, "not with a MANUAL focus we don't".
I went home and searched the internet. There were many similar lenses for sale on ebay, and craigslist. But I've seen how people treat their cameras, and I am very skeptical of buying used camera gear online (I am not interested in your lenses that only have 'a few little scratches', or your lenses that are in 'almost perfect condition'). When each shot takes me close to three hours to process, I don't want them to be ruined by bad gear.
Today Vistek called me back. They are able to fix my lens. For a small fortune. He asked if I still wanted to get it fixed. I do. "Really?" he said. Yes, really. I found his incredulity interesting, if slightly insulting, on two counts. First, because he was practically turning business away. And second, because it really speaks to the disposable nature of our society. When something breaks, or is worn out, or a barely-different new model comes out, we toss out the old one, and buy a new one. But what am I supposed to do with the old lens? The lenses are so beautiful (sharp, fast, clear, ground glass), that they impress even the most techno-geek photographer. Throwing it out would be disrespectful. So, yes, I would like to have it repaired. It's repairability is the primary reason that I started shooting with it. I mean, it was practically MADE to be fixed. Even the body is mainly made of steel (yes, I am incurring osteoporosis just by carrying it), there are just a few simple internal gears, and some wiring to run the light-meter. It is fully functional without batteries. It's parts can easily be repaired or recreated by a machinist (easily found while traveling in developing countries). I am pretty excited that it is repairable, as this has absolved me of my guilt, and I will not have to buy and use and be disappointed by an inferior lens. I hope that it will be repaired soon so that I can start shooting again, after all, winter is darkroom season for me.